NTSC video

Unlike many other game consoles, the NES does not generate RGB or YUV and then encode that to composite. Instead, it generates NTSC video directly in the composite domain, which leads to interesting artifacts.

NTSC Master clock is 21.47727273 MHz and each PPU pixel lasts four clocks; PAL master clock is 26.6017125 MHz, and each PPU pixel lasts five clocks. $xy refers to a palette color in the range $00 to $3F.

Scanline Timing

Values in PPU pixels (341 total per scanline).

A visualization of the tables to the left, starts with Cyan for short sync

Rendering scanlines (n=240):

name	start	duration	row	notes
short sync	280	25	0-239
black (back porch)	305	4	0-239
colorburst	309	15	0-239
black (the rest of back porch)	324	5	0-239
pulse (background color in grayscale)	329	1	0-239
left border (background color)	330	15	0-239
active	4	256	0-239	if background rendering is disabled, border will be rendered instead
right border (background color)	260	11	0-239
black (front porch)	271	9	0-239

Post-render scanlines (n=2):

name	start	duration	row
short sync	280	25	240-241
black (back porch)	305	4	240-241
colorburst	309	15	240-241
black (the rest of back porch)	324	5	240-241
pulse (background color in grayscale)	329	1	240-241
bottom border (background color)	330	282	240-241
black (front porch)	271	9	240-241

Post-render blanking scanlines (n=3):

name	start	duration	row
short sync	280	25	242-244
black (back porch)	305	4	242-244
colorburst	309	15	242-244
black	324	297	242-244

Vertical sync scanlines (n=3):

name	start	duration	row
long sync	280	318	245-247
black (sync separator)	257	23	245-247

Pre-render blanking scanlines (n=14):

name	start	duration	row	notes
short sync	280	25	248-261
black (back porch)	305	4	248-261
colorburst	309	15	248-261	14 columns on end of row 261 for odd frames, if either background or sprite rendering is enabled
black	324	297	248-261

This amounts to a total of 262 scanlines.

In standard NTSC, a scanline is 227.5 subcarrier cycles long (equivalent to 341.25 NES pixels), and each field alternates between being 262 or 263 lines tall. In "short" fields, the vertical sync pulse begins on horizontal sync, whereas in "long" fields it begins half a scanline later to make the TV draw the next field one half scanline higher, resulting in interlaced video.

The video timing in the NES (and most other pre-Dreamcast consoles), however, is non-standard - these consoles produce the same number of scanlines in every field and do not vary the timing of the vertical sync pulse. This causes the TV to draw the fields on top of each other, resulting in a non-standard low-definition "progressive" or "double struck" video mode sometimes called 240p.

Some high-definition displays and upscalers cannot handle 240p video, instead introducing artifacts that make the video appear as if it were interlaced. Artemio Urbina's 240p test suite, which has been ported to NES by Damian Yerrick, contains a set of test patterns to diagnose problems with decoding 240p composite video.

Note that emulators usually crop the top and bottom 8 lines from the picture, as most televisions will hide at least part of the picture in a similar way. See: Overscan

Brightness Levels

$xE/$xF output the same voltage as $1D. $x1-$xC output a square wave alternating between levels for $xD and $x0. Colors $20 and $30 are exactly the same.

When grayscale is active, all colors between $x1-$xD are treated as $x0. Notably this behavior extends to the first pixel of the border color, which acts as a sync pulse on every visible scanline.

Initial measurement

Voltage levels used by the PPU are as follows - absolute, relative to synch, and normalized between black level and white:

Type	Absolute	Relative	Normalized
Synch	0.781	0.000	-0.359
Colorburst L	1.000	0.218	-0.208
Colorburst H	1.712	0.931	0.286
Color 0D	1.131	0.350	-0.117
Color 1D (black)	1.300	0.518	0.000
Color 2D	1.743	0.962	0.308
Color 3D	2.331	1.550	0.715
Color 00	1.875	1.090	0.397
Color 10	2.287	1.500	0.681
Color 20	2.743	1.960	1.000
Color 30	2.743	1.960	1.000

These levels don't quite match the standard levels. Ideally, the composite signal is 1000 millivolts from peak to peak (1.0 Vp-p) when loaded with a 75 Ω output impedance. (Unloaded levels may be twice that amount, which may explain the levels seen above.) Levels are commonly measured in units called IRE.

Terminated measurement

Standard video (not NES) looks like this:

Type	IRE level	Voltage (mV)
Peak white	120
White	100	714
Colorburst H	20	143
Black	7.5	53.6
Blanking	0	0
Colorburst L	-20	-143
Sync	-40	-286

The following measurements by lidnariq into a properly terminated (75 Ω) TV have about 10 mV of noise and 4 mV of quantization error, which implies an error of ±2 IRE:

Signal	Potential	IRE
SYNC	48 mV	-37 IRE
CBL	148 mV	-23 IRE
0D	228 mV	-12 IRE
1D	312 mV	≡ 0 IRE
CBH	524 mV	30 IRE
2D	552 mV	34 IRE
00	616 mV	43 IRE
10	840 mV	74 IRE
3D	880 mV	80 IRE
20	1100 mV	110 IRE
0Dem	192 mV	-17 IRE
1Dem	256 mV	-8 IRE
2Dem	448 mV	19 IRE
00em	500 mV	26 IRE
10em	676 mV	51 IRE
3Dem	712 mV	56 IRE
20em	896 mV	82 IRE

Unlike PAL, US NTSC is supposed to have a "setup", a difference between blanking and black level. Japanese NTSC does not make this distinction.

Color Phases

111111------
22222------2
3333------33
444------444
55------5555
6------66666
------777777
-----888888-
----999999--
---AAAAAA---
--BBBBBB----
-CCCCCC-----

The color generator is clocked by the rising and falling edges of the ~21.48 MHz clock, resulting in an effective ~42.95 MHz clock rate. There are 12 color square waves, spaced at regular phases. Each runs at the ~3.58 MHz colorburst rate. On NTSC, color $xY uses the wave shown in row Y from the table. NTSC color burst (pure shade -U) uses color phase 8 (with voltages listed above); PAL color burst is believed to alternate between 6 (-U+V) and 9 (-U-V), so hue is rotated by 15° from NTSC. PAL alternates the broadcast sign of the V component, so on PAL every odd scanline will use the appropriate opposite phase—e.g. phases 5-C are respectively replaced with C-5.

Color Tint Bits

There are three color modulation channels controlled by the top three bits of $2001. Each channel uses one of the color square waves (see above diagram) and enables attenuation of the video signal when the color square wave is high. A single attenuator is shared by all channels. It is active for 6 out of 12 half-clocks if one bit is set, 10 half-clocks if two bits are set, or all 12 if all three bits are set.

$2001	Active phase	Complement
Bit 7	Color 8	Color 2 (blue)
Bit 6	Color 4	Color A (green)
Bit 5	Color C	Color 6 (red)

When signal attenuation is enabled by one or more of the channels and the current pixel is a color other than $xE/$xF (black), the signal is attenuated as follows (calculations given for both relative and absolute values as shown in the voltage table above):

relative = relative * 0.746

normalized = normalized * 0.746 - 0.0912

For example, when $2001 bit 6 is true, the attenuator will be active during the phases of color 4. This means the attenuator is not active during its complement (color A), and the screen appears to have a tint of color A, which is green.

Note that on the Dendy and PAL NES, the green and red bits swap meaning.

Tests performed on NTSC NES show that emphasis does not affect the black colours in columns $E or $F, but it does affect all other columns, including the blacks and greys in column $D.

Example Waveform

This waveform steps through various grays and then stops on a color.

The composite signal steps through 6 gray colors ($0D, $0F, $2D, $00, $10, $30) then continues through with color $11.

The PPU's shortcut method of NTSC modulation often produces artifacts in which vertical lines appear slightly ragged, as the chroma spills over into luma.

Generation and demodulation of a red corner

Composite decoding

Composite video encodes YUV (or YIQ for bandlimited broadcasting) into one composite analog signal. In order to convert composite into an RGB signal, it firsts needs to be decoded into YUV, before converting the resulting YUV into RGB.

Decoding composite video into YUV

Although encoding composite is somewhat standardized, the methods of decoding composite may vary from TV to TV. This article shows one way to decode composite.

Decoding chroma information (UV)

Decoding chroma information requires a subcarrier reference sine wave to determine the hue, whose phase is "locked" (or aligned as best as possible) to the colorburst of the composite scanline.

The subcarrier reference is used to demodulate the U component. A copy (or a phase offset) of the reference is delayed by 90 degrees, which is then used to demodulate the V component.

The U/V component is demodulated by multiplying the subcarrier reference to the composite waveform. The resulting waveform is then filtered typically by a lowpass filter. A comb filter can also be used if desired.

Decoding luma information (Y)

To get the luma (Y) component, the base signal is filtered by a lowpass or comb filter. Some TVs use more complex methods to decode luma, some TVs do not filter at all.

Converting YUV to linear RGB

To convert YUV to linear RGB, we multiply the components to the following inversed matrix:

R = Y + V*1.14
G = Y - (R*0.299 - B*0.114) / 0.587
B = Y + U*2.03

The matrix above is derived from the NTSC base matrix of luminance and color-difference:

  Y =  R*0.299 + G*0.587 + B*0.114
B-Y = -R*0.299 - G*0.587 + B*0.886
R-Y =  R*0.701 - G*0.587 - B*0.114

Which, when applied with color reduction factors 1/2.03 and 1/1.14 for B-Y and R-Y respectively, results in the definition of the linear RGB to YUV matrix equation:

Y =   R*0.299 + G*0.587 + B*0.114
U = (-R*0.299 - G*0.587 + B*0.886) / 1.14
V = ( R*0.701 - G*0.587 - B*0.114) / 2.03

If decoding from YIQ, the I and Q component is just the U and V component respectively rotated by 33 degrees:

U = -(I * sin(-33 deg)) + (Q * cos(-33 deg))
V =  (I * cos(-33 deg)) + (Q * sin(-33 deg))

Converting linear RGB to output colorspace

The final step is to convert linear RGB into the output colorspace, typically sRGB for most monitors.

Linear RGB into sRGB

According to IEC 61966-2-1:1999, a gamma curve correction must be applied to the R, G and B signals before they are displayed. The transfer function for sRGB is:

C  = linear R, G, or B signal
C' = gamma corrected R, G or B signal

C' = 12.92 * C                    if C <= 0.0031308
C' = 1.055 * C^(1/2.4) - 0.055    if C >  0.0031308

The resulting R, G and B values can then be quantized into 8 bits per channel:

C8bpc = quantized R, G, or B channel
C'    = gamma corrected R, G or B signal

C8bpc = (int)(C` * 255)

Emulating in C++ code

For efficient, ready to use implementations, see Libraries below. The following is an illustrative example:

Calculating the momentary NTSC signal level can be done as follows in C++:

// pixel = Pixel color (9-bit) given as input. Bitmask format: "eeellcccc".
// phase = Signal phase (0..11). It is a variable that increases by 8 each pixel.
float NTSCsignal(int pixel, int phase)
{
    // Voltage levels, relative to synch voltage
    static const float black=.518f, white=1.962f, attenuation=.746f,
        levels[8] = {.350f, .518f, .962f,1.550f,  // Signal low
                    1.094f,1.506f,1.962f,1.962f}; // Signal high

    // Decode the NES color.
    int color = (pixel & 0x0F);    // 0..15 "cccc"
    int level = (pixel >> 4) & 3;  // 0..3  "ll"
    int emphasis = (pixel >> 6);   // 0..7  "eee"
    if(color > 13) { level = 1;  } // For colors 14..15, level 1 is forced.

    // The square wave for this color alternates between these two voltages:
    float low  = levels[0 + level];
    float high = levels[4 + level];
    if(color == 0) { low = high; } // For color 0, only high level is emitted
    if(color > 12) { high = low; } // For colors 13..15, only low level is emitted

    // Generate the square wave
    auto InColorPhase = [=](int color) { return (color + phase) % 12 < 6; }; // Inline function
    float signal = InColorPhase(color) ? high : low;

    // When de-emphasis bits are set, some parts of the signal are attenuated:
    if( ((emphasis & 1) && InColorPhase(0))
    ||  ((emphasis & 2) && InColorPhase(4))
    ||  ((emphasis & 4) && InColorPhase(8)) ) signal = signal * attenuation;

    return signal;
}

The process of generating NTSC signal for a single pixel can be simulated with the following C++ code:

void RenderNTSCpixel(unsigned x, int pixel, int PPU_cycle_counter)
{
    int phase = PPU_cycle_counter * 8;
    for(int p=0; p<8; ++p) // Each pixel produces distinct 8 samples of NTSC signal.
    {
        float signal = NTSCsignal(pixel, phase + p); // Calculated as above
        // Optionally apply some lowpass-filtering to the signal here.
        // Optionally normalize the signal to 0..1 range:
        static const float black=.518f, white=1.962f;
        signal = (signal-black) / (white-black);
        // Save the signal for this pixel.
        signal_levels[ x*8 + p ] = signal;
    }
}

It is important to note that while the NES only generates eight (8) samples of NTSC signal per pixel, the wavelength for chroma is 12 samples long. This means that the colors of adjacent pixels get mandatorily mixed up to some degree. For the same reason, narrow black&white details can be interpreted as colors.

Because the scanline length is uneven (341*8 is not an even multiple of 12), the color mixing shifts a little each scanline. This appears visually as a sawtooth effect at the edges of colors at high resolution. The sawtooth cycles every 3 scanlines.

Because also the frame length is uneven (neither 262*341*8 nor (262*341-1)*8 is an even multiple of 12), the color mixing also changes a little every frame. When rendering is normally enabled, the screen is alternatingly 89342 and 89341 cycles long. The combination of these (89342+89341)*8 is an even multiple of 12, which means that the artifact pattern cycles every 2 frames. The pattern of cycling can be changed by disabling rendering during the end of the pre-render scanline; it forces the screen length to 89342 cycles, even if would be 89341 otherwise.

The process of decoding NTSC signal (convert it into RGB) is subject to a lot of study, and there are many patents and different techniques for it. A simple method suitable for emulation is covered below. It is not accurate, because in reality the chroma is blurred much more than is done here (the region of signal sampled for I and Q is wider than 12 samples), and the filter used here is a simple box FIR filter rather than an IIR filter, but it already produces a quite authentic looking picture. In addition, the border region (total of 26 pixels of background color around the 256-pixel scanline) is not sampled.

    float signal_levels[256*8] = {...}; // Eight signal levels for each pixel, normalized to 0..1 range. 
Calculated as above.

    unsigned Width; // Input: Screen width. Can be not only 256, but anything up to 2048.
    float phase;    // Input: This should the value that was PPU_cycle_counter * 8 + 3.9
                    // at the BEGINNING of this scanline. It should be modulo 12.
                    // It can additionally include a floating-point hue offset.
    for(unsigned x = 0; x < Width; ++x)
    {
        // Determine the region of scanline signal to sample. Take 12 samples.
        int center = x * (256*8) / Width + 0;
        int begin = center - 6; if(begin < 0)     begin = 0;
        int end   = center + 6; if(end   > 256*8) end   = 256*8;
        float y = 0.f, i = 0.f, q = 0.f; // Calculate the color in YIQ.
        for(int p = begin; p < end; ++p) // Collect and accumulate samples
        {
            float level = signal_levels[p] / 12.f;
            y  =  y + level;
            i  =  i + level * cos( M_PI * (phase+p) / 6 );
            q  =  q + level * sin( M_PI * (phase+p) / 6 );
        }
        render_pixel(y,i,q); // Send the YIQ color for rendering.
    }

The NTSC decoder here produces pixels in YIQ color space.

If you want more saturated colors, just multiply i and q with a factor of your choosing, such as 1.7. If you want brighter colors, just multiply y, i and q with a factor of your choosing, such as 1.1. If you want to adjust the hue, just add or subtract a value from/to phase. If you want to see so called chroma dots, change the begin and end in such manner that you collect a number of samples that is not divisible with 12. If you want to blur the video horizontally, change the begin and end in such manner that the samples are collected from a wider region.

The YIQ colors can be converted into sRGB colors with the following formula, using the FCC-sanctioned YIQ-to-RGB conversion matrix. This produces a value that can be saved to e.g. framebuffer:

    float gamma = 2.0f; // Assumed display gamma
    auto gammafix = [=](float f) { return f <= 0.f ? 0.f : pow(f, 2.2f / gamma); };
    auto clamp    = [](int v) { return v>255 ? 255 : v; };
    unsigned rgb =
        0x10000*clamp(255.95 * gammafix(y +  0.946882f*i +  0.623557f*q))
      + 0x00100*clamp(255.95 * gammafix(y + -0.274788f*i + -0.635691f*q))
      + 0x00001*clamp(255.95 * gammafix(y + -1.108545f*i +  1.709007f*q));

The two images below illustrate the NTSC artifacts. In the left side image, 12 samples of NTSC signal were generated for each NES pixel, and each display pixel was separately rendered by decoding that 12-sample signal. In the right side image, 8 samples of NTSC signal were generated for each NES pixel, and each display pixel was rendered by decoding 12 samples of NTSC signal from the corresponding location within the scanline.

Per-pixel rendering: 12 samples of NTSC signal per input pixel; the same 12 samples are decoded for each output pixel		Per-scanline rendering: 8 samples of NTSC signal per input pixel; 12 samples are decoded for each output pixel
Same as above, but rendered at 256x240 without upscaling	Same in grayscale (zero saturation). This illustrates well how the different color values have exactly the same luminosity; only the chroma phase differs.	Same as above, but rendered at 256x240 rather than at 2048x240 and then downscaled	Same in grayscale

The source code of the program that generated both images can be read at [1]. Note that even though the image resembles the well-known Philips PM5544 test card, it is not the same; the exact same colors could not be reproduced with NES colors. In addition, some parts were changed to better test NES features. For example, the backgrounds for the "station ID" regions (the black rectangles at the top and at the bottom inside the circle) are generated using the various blacks within the NES palette.

Later, Bisqwit made a generic integer-based decoder in C++. This takes a signal at 12 times color burst and can be used to emulate other systems that use shortcuts when generating NTSC video, such as Apple II (where every color in HGR is an artifact color) and Atari 7800 (whose game Tower Toppler seriously exploits artifact colors).

Libraries

• blargg's nes_ntsc library
• blargg's NTSC demo windows executable
• Forum thread: New NTSC decoder with integer-only math (short C++ code) - by Bisqwit
• LMP88959 (EMMIR)'s NTSC decoder

See also

• Cycle reference chart
• PAL video
• PPU palettes