APU basics: Difference between revisions
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This article covers basic usage of the APU's four waveform channels. It does not cover the DMC, or more advanced usage. Any registers unrelated to basic operation are not even mentioned here. A simplified though fully usable model of the APU is presented, one that will serve many programmers. | This article covers basic usage of the APU's four waveform channels on an NTSC NES. It does not cover the DMC, or more advanced usage. Any registers unrelated to basic operation are not even mentioned here. A simplified though fully usable model of the APU is presented, one that will serve many programmers. | ||
== Channels == | == Channels == | ||
The APU has five channels: two pulse waves, triangle wave, noise, and DMC (sample playback). Only the first four are covered here. | |||
The APU has five channels: two | |||
The channel registers begin at $4000, and each channel has four registers devoted to it. All but the triangle wave have 4-bit volume control (the triangle just has an un-mute flag). | The channel registers begin at $4000, and each channel has four registers devoted to it. All but the triangle wave have 4-bit volume control (the triangle just has an un-mute flag). | ||
{| class="tabular" width="60%" | {| class="tabular" width="60%" | ||
|width="20%"| $4000-$4003 || First | |width="20%"| $4000-$4003 || First pulse wave | ||
|- | |- | ||
| $4004-$4007 || Second | | $4004-$4007 || Second pulse wave | ||
|- | |- | ||
| $4008-$400B || Triangle | | $4008-$400B || Triangle wave | ||
|- | |- | ||
| $400C-$400F || Noise | | $400C-$400F || Noise | ||
Line 20: | Line 19: | ||
== Register initialization == | == Register initialization == | ||
Before using the APU, first initialize all the registers to known values that silence all channels. | Before using the APU, first initialize all the registers to known values that silence all channels. | ||
Line 45: | Line 43: | ||
This writes values that are most useful for basic use of the channels. It's not important exactly what they do, just that they establish a known state. | This writes values that are most useful for basic use of the channels. It's not important exactly what they do, just that they establish a known state. | ||
== | == Pulse wave channels == | ||
{{main|APU Pulse}} | {{main|APU Pulse}} | ||
There are two | There are two pulse wave channels, each with pitch, volume, and timbre controls. | ||
{| class="tabular" | {| class="tabular" | ||
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sta $4000 | sta $4000 | ||
All parameters can be changed while the tone is playing. To fade a note out, for example, write to $4000 or $4004 with the lower 4 bits decreasing every few frames. | |||
All parameters can be changed while the tone is playing. To fade a note out, for example, write to $4000 or $4004 with the lower 4 bits decreasing every few frames | |||
Note that writing to $4003 and $4007 resets the phase, which causes a slight pop. This is an issue when doing vibrato, for example, and beyond the scope of this article. | |||
== Triangle wave channel == | |||
== Triangle channel == | |||
{{main|APU Triangle}} | {{main|APU Triangle}} | ||
The triangle channel allows control over frequency and muting. | The triangle channel allows control over frequency and muting. | ||
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To silence the wave, write %10000000 to $4008 and then $4017. Writing a raw period of 0 also silences the wave, but produces a pop, so it's not the preferred method. | To silence the wave, write %10000000 to $4008 and then $4017. Writing a raw period of 0 also silences the wave, but produces a pop, so it's not the preferred method. | ||
== Noise channel == | |||
{{main|APU Noise}} | |||
The noise channel allows control over frequency, volume, and timbre. | |||
{| class="tabular" | |||
| $400C || <tt>%--11VVVV</tt> || Volume<br> | |||
VVVV: 0000=silence 1111=maximum | |||
|- | |||
| $400E || <tt>%T---PPPP</tt> || Tone mode enable, Period | |||
|} | |||
The following code plays a tone-like noise at maximum volume: | |||
jsr init_apu | |||
lda #%10000101 | |||
sta $400E | |||
lda #%00111111 | |||
sta $400C | |||
All parameters can be changed while the noise is playing. | |||
== Playing a musical note == | |||
To easily play a musical note, use the [[APU period table]]. The following code sets the first pulse wave's frequency based on the note number in the X register: | |||
; Set first pulse channel's frequency to note code in X register | |||
lda periodTableHi,x | |||
sta $4003 | |||
lda periodTableLo,x | |||
sta $4002 | |||
... | |||
; NTSC period table generated by mktables.py | |||
periodTableLo: | |||
.byte $f1,$7f,$13,$ad,$4d,$f3,$9d,$4c,$00,$b8,$74,$34 | |||
.byte $f8,$bf,$89,$56,$26,$f9,$ce,$a6,$80,$5c,$3a,$1a | |||
.byte $fb,$df,$c4,$ab,$93,$7c,$67,$52,$3f,$2d,$1c,$0c | |||
.byte $fd,$ef,$e1,$d5,$c9,$bd,$b3,$a9,$9f,$96,$8e,$86 | |||
.byte $7e,$77,$70,$6a,$64,$5e,$59,$54,$4f,$4b,$46,$42 | |||
.byte $3f,$3b,$38,$34,$31,$2f,$2c,$29,$27,$25,$23,$21 | |||
.byte $1f,$1d,$1b,$1a,$18,$17,$15,$14 | |||
periodTableHi: | |||
.byte $07,$07,$07,$06,$06,$05,$05,$05,$05,$04,$04,$04 | |||
.byte $03,$03,$03,$03,$03,$02,$02,$02,$02,$02,$02,$02 | |||
.byte $01,$01,$01,$01,$01,$01,$01,$01,$01,$01,$01,$01 | |||
.byte $00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00 | |||
.byte $00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00 | |||
.byte $00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00 | |||
.byte $00,$00,$00,$00,$00,$00,$00,$00 | |||
The triangle plays an octave lower for the same raw period, so halve the value from the above table to get the desired note: | |||
; Set triangle frequency to note code in X register | |||
lda periodTableHi,x | |||
lsr a | |||
sta $400B | |||
lda periodTableLo,x | |||
ror a | |||
sta $400A | |||
The following full program plays pulse and triangle scales: | |||
[[http://blargg.parodius.com/nes-code/apu_scale.s apu_scale.s]] |
Revision as of 16:35, 29 July 2010
This article covers basic usage of the APU's four waveform channels on an NTSC NES. It does not cover the DMC, or more advanced usage. Any registers unrelated to basic operation are not even mentioned here. A simplified though fully usable model of the APU is presented, one that will serve many programmers.
Channels
The APU has five channels: two pulse waves, triangle wave, noise, and DMC (sample playback). Only the first four are covered here.
The channel registers begin at $4000, and each channel has four registers devoted to it. All but the triangle wave have 4-bit volume control (the triangle just has an un-mute flag).
$4000-$4003 | First pulse wave |
$4004-$4007 | Second pulse wave |
$4008-$400B | Triangle wave |
$400C-$400F | Noise |
In register descriptions below, bits listed as - can have any value written to them, while bits listed as 1 must have a 1 written, otherwise other APU features will be enabled, causing the registers to behave differently than described here.
Register initialization
Before using the APU, first initialize all the registers to known values that silence all channels.
init_apu: lda #$0F sta $4015 ldy #0 @loop: lda @regs,y sta $4000,y iny cpy #$18 bne @loop rts @regs: .byte $30,$08,$00,$00 .byte $30,$08,$00,$00 .byte $80,$00,$00,$00 .byte $30,$00,$00,$00 .byte $00,$00,$00,$00 .byte $00,$0F,$00,$40
This writes values that are most useful for basic use of the channels. It's not important exactly what they do, just that they establish a known state.
Pulse wave channels
- Main article: APU Pulse
There are two pulse wave channels, each with pitch, volume, and timbre controls.
$4000 | $4004 | %DD11VVVV | Duty cycle and volume DD: 00=12.5% 01=25% 10=50% 11=75% |
$4002 | $4006 | %LLLLLLLL | Low 8 bits of raw period |
$4003 | $4007 | %-----HHH | High 3 bits of raw period |
To determine the raw period for a given frequency in Hz, use this formula (round the result to a whole number)::
- raw period = 111860.8/frequency - 1
The following code plays a 400 Hz square wave (50% duty) at maximum volume:
jsr init_apu lda #<279 sta $4002 lda #>279 sta $4003 lda #%10111111 sta $4000
All parameters can be changed while the tone is playing. To fade a note out, for example, write to $4000 or $4004 with the lower 4 bits decreasing every few frames.
Note that writing to $4003 and $4007 resets the phase, which causes a slight pop. This is an issue when doing vibrato, for example, and beyond the scope of this article.
Triangle wave channel
- Main article: APU Triangle
The triangle channel allows control over frequency and muting.
$4008 | %1U------ | Un-mute |
$400A | %LLLLLLLL | Low 8 bits of raw period |
$400B | %-----HHH | High 3 bits of raw period |
$4017 | %1------- | Apply un-muting immediately |
For any given period, the triangle channel's frequency is half that of the pulse channel, or a pitch one octave lower. To determine the raw period for a given frequency in Hz, use this formula (round the result to a whole number):
- raw period = 55930.4/frequency - 1
The following code plays a 400 Hz triangle wave:
jsr init_apu lda #<139 sta $400A lda #>139 sta $400B lda #%11000000 sta $4008 sta $4017
The raw period can be changed while the channel is playing.
To silence the wave, write %10000000 to $4008 and then $4017. Writing a raw period of 0 also silences the wave, but produces a pop, so it's not the preferred method.
Noise channel
- Main article: APU Noise
The noise channel allows control over frequency, volume, and timbre.
$400C | %--11VVVV | Volume VVVV: 0000=silence 1111=maximum |
$400E | %T---PPPP | Tone mode enable, Period |
The following code plays a tone-like noise at maximum volume:
jsr init_apu lda #%10000101 sta $400E lda #%00111111 sta $400C
All parameters can be changed while the noise is playing.
Playing a musical note
To easily play a musical note, use the APU period table. The following code sets the first pulse wave's frequency based on the note number in the X register:
; Set first pulse channel's frequency to note code in X register lda periodTableHi,x sta $4003 lda periodTableLo,x sta $4002 ... ; NTSC period table generated by mktables.py periodTableLo: .byte $f1,$7f,$13,$ad,$4d,$f3,$9d,$4c,$00,$b8,$74,$34 .byte $f8,$bf,$89,$56,$26,$f9,$ce,$a6,$80,$5c,$3a,$1a .byte $fb,$df,$c4,$ab,$93,$7c,$67,$52,$3f,$2d,$1c,$0c .byte $fd,$ef,$e1,$d5,$c9,$bd,$b3,$a9,$9f,$96,$8e,$86 .byte $7e,$77,$70,$6a,$64,$5e,$59,$54,$4f,$4b,$46,$42 .byte $3f,$3b,$38,$34,$31,$2f,$2c,$29,$27,$25,$23,$21 .byte $1f,$1d,$1b,$1a,$18,$17,$15,$14 periodTableHi: .byte $07,$07,$07,$06,$06,$05,$05,$05,$05,$04,$04,$04 .byte $03,$03,$03,$03,$03,$02,$02,$02,$02,$02,$02,$02 .byte $01,$01,$01,$01,$01,$01,$01,$01,$01,$01,$01,$01 .byte $00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00 .byte $00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00 .byte $00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00,$00 .byte $00,$00,$00,$00,$00,$00,$00,$00
The triangle plays an octave lower for the same raw period, so halve the value from the above table to get the desired note:
; Set triangle frequency to note code in X register lda periodTableHi,x lsr a sta $400B lda periodTableLo,x ror a sta $400A
The following full program plays pulse and triangle scales: